10/1/25

Once upon a midnight dreary, while I pondered, weak and weary,

Over many a quaint and curious volume of forgotten lore—

While I nodded, nearly napping, suddenly there came a tapping,

As of some one gently rapping, rapping at my chamber door.

“’Tis some visitor,” I muttered, “tapping at my chamber door—

Only this and nothing more.”

…

“The Raven” by Edgar Allan Poe

9/30/25

"And now to God the Father", he ends,

And his voice thrills up to the topmost tiles:

Each listener chokes as he bows and bends,

And emotion pervades the crowded aisles.

Then the preacher glides to the vestry-door,

And shuts it, and thinks he is seen no more.

The door swings softly ajar meanwhile,

And a pupil of his in the Bible class,

Who adores him as one without gloss or guile,

Sees her idol stand with a satisfied smile

And re-enact at the vestry-glass

Each pulpit gesture in deft dumb-show

That had moved the congregation so.

“In Church” by Thomas Hardy

9/29/25

“‘Forgive me. I—I have mourned so long in silence—in silence.... You were with him—to the last? I think of his loneliness. Nobody near to understand him as I would have understood. Perhaps no one to hear....’

“‘To the very end,’ I said, shakily. ‘I heard his very last words....’ I stopped in a fright.

“‘Repeat them,’ she murmured in a heart-broken tone. ‘I want—I want—something—something—to— to live with.’

“I was on the point of crying at her, ‘Don’t you hear them?’ The dusk was repeating them in a persistent whisper all around us, in a whisper that seemed to swell menacingly like the first whisper of a rising wind. ‘The horror! The horror!’

“‘His last word—to live with,’ she insisted. ‘Don’t you understand I loved him—I loved him—I loved him!’

“I pulled myself together and spoke slowly.

“‘The last word he pronounced was—your name.’

“I heard a light sigh and then my heart stood still, stopped dead short by an exulting and terrible cry, by the cry of inconceivable triumph and of unspeakable pain. ‘I knew it—I was sure!’... She knew. She was sure. I heard her weeping; she had hidden her face in her hands. It seemed to me that the house would collapse before I could escape, that the heavens would fall upon my head. But nothing happened. The heavens do not fall for such a trifle. Would they have fallen, I wonder, if I had rendered Kurtz that justice which was his due? Hadn’t he said he wanted only justice? But I couldn’t. I could not tell her. It would have been too dark—too dark altogether....”

Marlow ceased, and sat apart, indistinct and silent, in the pose of a meditating Buddha. Nobody moved for a time. “We have lost the first of the ebb,” said the Director suddenly. I raised my head. The offing was barred by a black bank of clouds, and the tranquil waterway leading to the uttermost ends of the earth flowed sombre under an overcast sky—seemed to lead into the heart of an immense darkness.

Heart of Darkness by Joseph Conrad

9/28/25

“I thought his memory was like the other memories of the dead that accumulate in every man’s life—a vague impress on the brain of shadows that had fallen on it in their swift and final passage; but before the high and ponderous door, between the tall houses of a street as still and decorous as a well-kept alley in a cemetery, I had a vision of him on the stretcher, opening his mouth voraciously, as if to devour all the earth with all its mankind. He lived then before me; he lived as much as he had ever lived—a shadow insatiable of splendid appearances, of frightful realities; a shadow darker than the shadow of the night, and draped nobly in the folds of a gorgeous eloquence. The vision seemed to enter the house with me—the stretcher, the phantom-bearers, the wild crowd of obedient worshippers, the gloom of the forests, the glitter of the reach between the murky bends, the beat of the drum, regular and muffled like the beating of a heart—the heart of a conquering darkness. It was a moment of triumph for the wilderness, an invading and vengeful rush which, it seemed to me, I would have to keep back alone for the salvation of another soul. And the memory of what I had heard him say afar there, with the horned shapes stirring at my back, in the glow of fires, within the patient woods, those broken phrases came back to me, were heard again in their ominous and terrifying simplicity. I remembered his abject pleading, his abject threats, the colossal scale of his vile desires, the meanness, the torment, the tempestuous anguish of his soul. And later on I seemed to see his collected languid manner, when he said one day, ‘This lot of ivory now is really mine. The Company did not pay for it. I collected it myself at a very great personal risk. I am afraid they will try to claim it as theirs though. H’m. It is a difficult case. What do you think I ought to do—resist? Eh? I want no more than justice.’... He wanted no more than justice—no more than justice. I rang the bell before a mahogany door on the first floor, and while I waited he seemed to stare at me out of the glassy panel—stare with that wide and immense stare embracing, condemning, loathing all the universe. I seemed to hear the whispered cry, “The horror! The horror!”

Heart of Darkness by Joseph Conrad

9/27/25

“He informed me, lowering his voice, that it was Kurtz who had ordered the attack to be made on the steamer. ‘He hated sometimes the idea of being taken away—and then again.... But I don’t understand these matters. I am a simple man. He thought it would scare you away—that you would give it up, thinking him dead. I could not stop him. Oh, I had an awful time of it this last month.

Heart of Darkness by Joseph Conrad

9/26/25

“I had given up worrying myself about the rivets. One’s capacity for that kind of folly is more limited than you would suppose. I said Hang!—and let things slide. I had plenty of time for meditation, and now and then I would give some thought to Kurtz. I wasn’t very interested in him. No. Still, I was curious to see whether this man, who had come out equipped with moral ideas of some sort, would climb to the top after all and how he would set about his work when there.”

Heart of Darkness by Joseph Conrad

9/25/25

“I let him run on, this papier-mache Mephistopheles, and it seemed to me that if I tried I could poke my forefinger through him, and would find nothing inside but a little loose dirt, maybe.

Heart of Darkness by Joseph Conrad

9/24/25

“It arrested me, and he stood by civilly, holding an empty half-pint champagne bottle (medical comforts) with the candle stuck in it. To my question he said Mr. Kurtz had painted this—in this very station more than a year ago—while waiting for means to go to his trading post. ‘Tell me, pray,’ said I, ‘who is this Mr. Kurtz?’

Heart of Darkness by Joseph Conrad

9/23/25

Black shapes crouched, lay, sat between the trees leaning against the trunks, clinging to the earth, half coming out, half effaced within the dim light, in all the attitudes of pain, abandonment, and despair. Another mine on the cliff went off, followed by a slight shudder of the soil under my feet. The work was going on. The work! And this was the place where some of the helpers had withdrawn to die.

Heart of Darkness by Joseph Conrad

9/22/25

“The old doctor felt my pulse, evidently thinking of something else the while. ‘Good, good for there,’ he mumbled, and then with a certain eagerness asked me whether I would let him measure my head. Rather surprised, I said Yes, when he produced a thing like calipers and got the dimensions back and front and every way, taking notes carefully. He was an unshaven little man in a threadbare coat like a gaberdine, with his feet in slippers, and I thought him a harmless fool. ‘I always ask leave, in the interests of science, to measure the crania of those going out there,’ he said. ‘And when they come back, too?’ I asked. ‘Oh, I never see them,’ he remarked; ‘and, moreover, the changes take place inside, you know.’ He smiled, as if at some quiet joke. ‘So you are going out there. Famous. Interesting, too.’ He gave me a searching glance, and made another note. ‘Ever any madness in your family?’ he asked, in a matter-of-fact tone. I felt very annoyed. ‘Is that question in the interests of science, too?’ ‘It would be,’ he said, without taking notice of my irritation, ‘interesting for science to watch the mental changes of individuals, on the spot, but...’ ‘Are you an alienist?’ I interrupted. ‘Every doctor should be—a little,’ answered that original, imperturbably. ‘I have a little theory which you messieurs who go out there must help me to prove. This is my share in the advantages my country shall reap from the possession of such a magnificent dependency. The mere wealth I leave to others. Pardon my questions, but you are the first Englishman coming under my observation...’ I hastened to assure him I was not in the least typical. ‘If I were,’ said I, ‘I wouldn’t be talking like this with you.’ ‘What you say is rather profound, and probably erroneous,’ he said, with a laugh. ‘Avoid irritation more than exposure to the sun. Adieu. How do you English say, eh? Good-bye. Ah! Good-bye. Adieu. In the tropics one must before everything keep calm.’... He lifted a warning forefinger.... ‘Du calme, du calme.’

Heart of Darkness by Joseph Conrad

9/21/25

He was the only man of us who still “followed the sea.” The worst that could be said of him was that he did not represent his class. He was a seaman, but he was a wanderer, too, while most seamen lead, if one may so express it, a sedentary life. Their minds are of the stay-at-home order, and their home is always with them—the ship; and so is their country—the sea. One ship is very much like another, and the sea is always the same. In the immutability of their surroundings the foreign shores, the foreign faces, the changing immensity of life, glide past, veiled not by a sense of mystery but by a slightly disdainful ignorance; for there is nothing mysterious to a seaman unless it be the sea itself, which is the mistress of his existence and as inscrutable as Destiny. For the rest, after his hours of work, a casual stroll or a casual spree on shore suffices to unfold for him the secret of a whole continent, and generally he finds the secret not worth knowing. The yarns of seamen have a direct simplicity, the whole meaning of which lies within the shell of a cracked nut. But Marlow was not typical (if his propensity to spin yarns be excepted), and to him the meaning of an episode was not inside like a kernel but outside, enveloping the tale which brought it out only as a glow brings out a haze, in the likeness of one of these misty halos that sometimes are made visible by the spectral illumination of moonshine.

Heart of Darkness by Joseph Conrad

9/20/25

The sun set; the dusk fell on the stream, and lights began to appear along the shore. The Chapman light- house, a three-legged thing erect on a mud-flat, shone strongly. Lights of ships moved in the fairway—a great stir of lights going up and going down. And farther west on the upper reaches the place of the monstrous town was still marked ominously on the sky, a brooding gloom in sunshine, a lurid glare under the stars.

“And this also,” said Marlow suddenly, “has been one of the dark places of the earth.”

Heart of Darkness by Joseph Conrad

9/19/25

The Nellie, a cruising yawl, swung to her anchor without a flutter of the sails, and was at rest. The flood had made, the wind was nearly calm, and being bound down the river, the only thing for it was to come to and wait for the turn of the tide.

Heart of Darkness by Joseph Conrad

9/18/25

That's my last Duchess painted on the wall,

Looking as if she were alive. I call

That piece a wonder, now: Frà Pandolf's hands

Worked busily a day, and there she stands.

Will 't please you sit and look at her? I said

'Frà Pandolf' by design, for never read

Strangers like you that pictured countenance,

The depth and passion of its earnest glance,

But to myself they turned (since none puts by

The curtain I have drawn for you, but I)

And seemed as they would ask me, if they durst,

How such a glance came there; so, not the first

Are you to turn and ask thus. Sir, 't was not

Her husband's presence only, called that spot

Of joy into the Duchess' cheek: perhaps

Frà Pandolf chanced to say, 'Her mantle laps

Over my lady's wrist too much,' or 'Paint

Must never hope to reproduce the faint

Half-flush that dies along her throat:' such stuff

Was courtesy, she thought, and cause enough

For calling up that spot of joy. She had

A heart—how shall I say?—too soon made glad,

Too easily impressed; she liked whate'er

She looked on, and her looks went everywhere.

Sir, 't was all one! My favour at her breast,

The dropping of the daylight in the West,

The bough of cherries some officious fool

Broke in the orchard for her, the white mule

She rode with round the terrace—all and each

Would draw from her alike the approving speech,

Or blush, at least. She thanked men,—good! but thanked

Somehow—I know not how—as if she ranked

My gift of a nine-hundred-years-old name

With anybody's gift. Who'd stoop to blame

This sort of trifling? Even had you skill

In speech—(which I have not)—to make your will

Quite clear to such an one, and say, 'Just this

Or that in you disgusts me; here you miss,

Or there exceed the mark'—and if she let

Herself be lessoned so, nor plainly set

Her wits to yours, forsooth, and made excuse,

—E'en then would be some stooping; and I choose

Never to stoop. Oh, sir, she smiled, no doubt,

Whene'er I passed her; but who passed without

Much the same smile? This grew; I gave commands;

Then all smiles stopped together. There she stands

As if alive. Will 't please you rise? We'll meet

The company below then. I repeat,

The Count your master's known munificence

Is ample warrant that no just pretence

Of mine for dowry will be disallowed;

Though his fair daughter's self, as I avowed

At starting, is my object. Nay, we'll go

Together down, sir. Notice Neptune, though,

Taming a sea-horse, thought a rarity,

Which Claus of Innsbruck cast in bronze for me!

“My Last Duchess” by Robert Browning

9/17/25

My name is Johnson—

Madam Alberta K.

The Madam stands for business.

I’m smart that way.

I had a

HAIR-DRESSING PARLOR

Before

The depression put

The prices lower.

Then I had a

BARBECUE STAND

Till I got mixed up

With a no-good man.

Cause I had a insurance

The WPA

Said, We can’t use you

Wealthy that way.

I said,

DON’T WORRY ’BOUT ME!

Just like the song,

You WPA folks take care of yourself—

And I’ll get along.

I do cooking,

Day’s work, too!

Alberta K. Johnson—

Madam to you.

“Madam’s Past History” by Langston Hughes

9/16/25

This is the one song everyone

would like to learn: the song

that is irresistible:

the song that forces men

to leap overboard in squadrons

even though they see the beached skulls

the song nobody knows

because anyone who has heard it

is dead, and the others can't remember.

Shall I tell you the secret

and if I do, will you get me

out of this bird suit?

I don't enjoy it here

squatting on this island

looking picturesque and mythical

with these two feathery maniacs,

I don't enjoy singing

this trio, fatal and valuable.

I will tell the secret to you,

to you, only to you.

Come closer. This song

is a cry for help: Help me!

Only you, only you can,

you are unique

at last. Alas

it is a boring song

but it works every time.

“Siren Song” by Margret Atwood

9/15/25

“Now swift I waved my falchion o’er the blood;
Back started the pale throngs, and trembling stood,
Round the black trench the gore untasted flows,
Till awful from the shades Tiresias rose…

Book XI of The Odyssey

9/14/25

“Thus solemn rites and holy vows we paid
To all the phantom-nations of the dead;
Then died the sheep: a purple torrent flow’d,
And all the caverns smoked with streaming blood.
When lo! appear’d along the dusky coasts,
Thin, airy shoals of visionary ghosts:
Fair, pensive youths, and soft enamour’d maids;
And wither’d elders, pale and wrinkled shades;
Ghastly with wounds the forms of warriors slain
Stalk’d with majestic port, a martial train:
These and a thousand more swarm’d o’er the ground,
And all the dire assembly shriek’d around.
Astonish’d at the sight, aghast I stood,
And a cold fear ran shivering through my blood;
Straight I command the sacrifice to haste,
Straight the flay’d victims to the flames are cast,
And mutter’d vows, and mystic song applied
To grisly Pluto, and his gloomy bride…

Book XI of The Odyssey

9/13/25

“Now the wan shades we hail, the infernal gods,
To speed our course, and waft us o’er the floods:
So shall a barren heifer from the stall
Beneath the knife upon your altars fall;
So in our palace, at our safe return,
Rich with unnumber’d gifts the pile shall burn;
So shall a ram, the largest of the breed,
Black as these regions, to Tiresias bleed…

Book XI of The Odyssey

9/12/25

“Here open’d hell, all hell I here implored,
And from the scabbard drew the shining sword:
And trenching the black earth on every side,
A cavern form’d, a cubit long and wide.
New wine, with honey-temper’d milk, we bring,
Then living waters from the crystal spring:
O’er these was strew’d the consecrated flour,
And on the surface shone the holy store.

Book XI of The Odyssey